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Piero di Cosimo: Venus, Mars and Cupid, Cupid (lying on Venus) clings to a white rabbit, a symbol of birth and fertility. Fertility in art refers to any artistic work representing or portraying fertility, which usually refers to successful breeding among humans, although it may also mean successful agriculture and animal husbandry.
Statue of a goddess of fertility, Copenhagen. A fertility deity is a god or goddess associated with fertility, sex, pregnancy, childbirth, and crops. In some cases these deities are directly associated with these experiences; in others they are more abstract symbols. Fertility rites may accompany their worship. The following is a list of ...
The Venus of Willendorf is an 11.1-centimetre-tall (4.4 in) Venus figurine estimated to have been made c. 30,000 years ago. [1] [2] It was recovered on 7 August 1908 from an archaeological dig conducted by Josef Szombathy, Hugo Obermaier, and Josef Bayer at a Paleolithic site near Willendorf, a village in Lower Austria.
Kokopelli (/ ˌ k oʊ k oʊ ˈ p ɛ l iː / [1]) is a fertility deity, usually depicted as a humpbacked flute player (often with feathers or antenna-like protrusions on his head), who is venerated by some Native American cultures in the Southwestern United States. Like most fertility deities, Kokopelli presides over both childbirth and agriculture.
As a symbol of fertility, white rabbits appear on a wing of the high altar in Freiburg Minster. They are playing at the feet of two pregnant women, Mary and Elizabeth . Martin Schongauer 's engraving Jesus after the Temptation (1470) shows nine (three times three) rabbits at the feet of Jesus Christ, which can be seen as a sign of extreme vitality.
Fertility symbols were generally considered to have been used since Prehistoric times for encouraging fertility in women, although it is also used to show creation in some cultures. Wedding cakes are a form of fertility symbols. In Ancient Rome, the custom was for the groom to break a cakes over the bride's head to symbolize the end of the ...
Ferrie, Frank, "Piero della Francesca's Madonna del Parto and the Function of Images of the Pregnant Virgin Mary", Dandelion, London, 2 December 2010. online [permanent dead link ]. Date accessed: 15 May. 2017; Hall, James, Hall's Dictionary of Subjects and Symbols in Art, 1996 (2nd edn.), John Murray, ISBN 0719541476; Hearn, Karen, "A Fatal ...
Like many prehistoric artefacts, the exact cultural meaning of these figures may never be known. Archaeologists speculate, however, that they may be symbolic of security and success, fertility, or a mother goddess. [15] The female figures are a part of Upper Palaeolithic art, specifically the category of Palaeolithic art known as portable art.