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General Dokhturov (1756-1816) – One of the characters used as a mouthpiece by Tolstoy to express his disillusionment with the tendency of historians to attribute the course of events to the will of certain iconic, often heroic figures despite the fact that more obscure but perhaps equally influential characters contributed to the eventual ...
Count Pyotr "Petya" Ilyich Rostov (1797–1812) is a character in Leo Tolstoy's 1869 novel War and Peace.The youngest member of the Rostov family, Petya is initially a minor character; however, towards the end of the novel, Petya's importance to the plot increases as he joins the Russian army in their defence against the French invasion of 1812.
For example, this type of advertising is exemplified in large food brands such as Presidents Choice's "Eat Together" campaign (2017), and Coca-Cola's "Open-happiness" campaign (2009). One of the most well-known examples of pathos in advertising is the SPCA commercials with pictures of stray dogs with sad music.
Japanese woodblock print showcasing transience, precarious beauty, and the passage of time, thus "mirroring" mono no aware [1] Mono no aware (物の哀れ), [a] lit. ' the pathos of things ', and also translated as ' an empathy toward things ', or ' a sensitivity to ephemera ', is a Japanese idiom for the awareness of impermanence (無常, mujō), or transience of things, and both a transient ...
He eventually finds love and peace with Natasha Rostova and their marriage is perhaps the culmination of a life of moral and spiritual questioning. They have four children: three girls and one boy. Daniel Rancour-Laferriere calls Pierre "one of the best known characters in world literature."
Pages in category "Characters in War and Peace" The following 12 pages are in this category, out of 12 total. This list may not reflect recent changes. ...
War and Peace (Russian: Война и мир, romanized: Voyna i mir; pre-reform Russian: Война и миръ; [vɐjˈna i ˈmʲir]) is a literary work by the Russian author Leo Tolstoy. Set during the Napoleonic Wars , the work comprises both a fictional narrative and chapters in which Tolstoy discusses history and philosophy.
Pathos (plural: pathea) is an appeal to the audience's emotions. [6]: 42 The terms sympathy, pathetic, and empathy are derived from it. It can be in the form of metaphor, simile, a passionate delivery, or even a simple claim that a matter is unjust. Pathos can be particularly powerful if used well, but most speeches do not solely rely on pathos.