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A prototype for five-channel surround sound, then dubbed "quintaphonic sound", was used in the 1975 film Tommy. [6]5.1 dates back to 1976, [7] when Dolby Labs modified the track usage of the six analogue magnetic soundtracks on Todd-AO 70 mm film prints.
7.1 channel surround is another setup, most commonly used in large cinemas, that is compatible with 5.1 surround, though it is not stated in the ITU standards. 7.1 channel surround adds two additional channels, center-left (CL) and center-right (CR) to the 5.1 surround setup, with the speakers situated 15 degrees off center from the listener. [24]
10.2 is the surround sound format developed by THX creator Tomlinson Holman of TMH Labs and the University of Southern California (schools of Cinematic Arts and Engineering). ). Developed along with Chris Kyriakakis of the USC Viterbi School of Engineering, 10.2 refers to the format's slogan: "Twice as good as 5
The extra surround channel is matrix encoded onto the discrete left surround and right surround channels of the 5.1 mix, much like the front center channel on Dolby Pro Logic encoded stereo soundtracks. The result can be played without loss of information on standard 5.1 systems or played in 6.1 or 7.1 on systems with Surround EX decoding and ...
FM channel 200, 87.9 MHz, overlaps TV 6. This is used only by K200AA.; TV 6 analog audio can be heard on FM 87.75 on most broadcast radio receivers as well as on a European TV tuned to channel E4A or channel IC, but at lower volume than wideband FM broadcast stations, because of the lower deviation.
The center channel is reduced in level by 3 dB and summed to the left and right channels; the surround channel is attenuated by 3 dB, passes through a band-pass filter (cutting frequencies under 100 Hz and above 7 kHz), passes through Dolby B noise reduction and is encoded on the left and right channels with opposite polarity (this is achieved ...