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The French horn (since the 1930s known simply as the horn in professional music circles) is a brass instrument made of tubing wrapped into a coil with a flared bell. The double horn in F/B ♭ (technically a variety of German horn) is the horn most often used by players in professional orchestras and bands, although the descant and triple horn have become increasingly popular.
The list of horn makers spans all time, and not all still exist. Andreas Jungwirth [1] Atkinson Brass and Company [2] Briz Horn Company; Buescher Band Instrument Company; C.G. Conn; Christopher Cornford [3] Daniel Rauch; Dieter Otto [4] Ed. Kruspe; Engelbert Schmid [5] F. E. Olds; Finke [6] Gebr. Alexander; Hans Hoyer [7] Herbert Fritz Knopf [8 ...
The French horn (as distinct from the German and Vienna horns), is also usually referred to simply as the "horn" by orchestral players. The bore of the French horn is small, between 10.8 and 11 mm, compared to 11.5 mm for the German horn, but not as small as the Vienna horn at 10.7 mm.
French Horn made by Kruspe, c. 1904–19. Eduard Kruspe is a brass instrument manufacturer located near Eisenach, Germany.It was founded in 1834 by Carl Kruspe and his two sons Eduard and Friedrich (Fritz) in Erfurt, Germany, and few years after German reunification the factory moved from Erfurt to Wutha-Farnroda near Eisenach.
Philip Farkas (1914–1992), principal horn of the Chicago Symphony, left what became Schilke Music Products in 1956 and joined with Holton, designing the Holton Farkas Model french horn. Ethel Merker (1923-2012), prominent horn player in Chicago, collaborated in the design and development of the Merker-Matic [16] line of horns. [17] [18]
Richard Bissill is a French horn player, composer and arranger, and Professor at the Guildhall School of Music and Drama in London. [1]Born in Leicestershire, he was a member of the Leicestershire Schools Symphony Orchestra and he then studied horn and piano at the Royal Academy of Music before joining the London Symphony Orchestra in 1981.
This allowed the horn to develop into a more useful melodic instrument, eventually becoming the instrument known today as the French horn. [3] [failed verification] In 1818, Friedrich Blühmel and Heinrich Stölzel registered a patent for their two-valve chromatic horn.
By the 1960s, Olds was producing trumpets, cornets, slide and valve trombones, alto horns, mellophones, french horns, euphoniums, tubas and sousaphones. They also supplied imported woodwind instruments in the Ambassador line. Olds was the second U.S. maker to have produced over one million brass instruments.