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Microphone placement is therefore an important aspect of gain staging [citation needed]. Following microphone placement and the microphone preamplifier, the audio signal has been amplified to Line level , and can be processed by a device capable of accepting a line-level signal.
In both fields the amount of gain is measured in decibels at or just below the point at which the sound from the speaker driver re-enters the microphone and the system begins to ring or feed back. Potential acoustic gain (PAG) is a calculated figure representing gain that a system can support without feeding back. [1]
To maximize gain before feedback, the amount of sound energy that is fed back to the microphones must be reduced as much as is practical.As sound pressure falls off with 1/r with respect to the distance r in free space, or up to a distance known as reverberation distance in closed spaces (and the energy density with 1/r²), it is important to keep the microphones at a large enough distance ...
Here, the still-mic-level signal enters into a microphone preamplifier, which boosts the signal voltage to line level. For this example, the microphone preamplifier is built into a mixing board. It is typical for a mixing board to include a line trim after the preamplifier. This allows the amplitude of the now line-level signal to be adjusted.
These "Hi-Z" or "instrument" inputs generally have higher gain than a line input. They are designed to be used with, for example, electric guitar pickups and "direct injection" boxes. Some of these sources can provide only minimal voltage and current and the high impedance input is designed to not load them excessively.
The dynamic microphone (also known as the moving-coil microphone) works via electromagnetic induction. They are robust, relatively inexpensive and resistant to moisture. This, coupled with their potentially high gain before feedback, makes them popular for on-stage use.
A voice-operated gain-adjusting device [7] or volume-operated gain-adjusting device [8] (vogad) is a type of AGC or compressor for microphone amplification. It is usually used in radio transmitters to prevent overmodulation and to reduce the dynamic range of the signal which allows increasing average transmitted power.
Electret microphone capsules This typical electret microphone circuit has a common source configured JFET inside the two-terminal electret capsule. The JFET is externally-powered by the DC voltage V + through a resistor which sets the gain and output impedance. The output audio signal is received though a DC blocking capacitor.