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A figure of speech or rhetorical figure is a word or phrase that intentionally deviates from straightforward language use or literal meaning to produce a rhetorical or intensified effect (emotionally, aesthetically, intellectually, etc.). [1] [2] In the distinction between literal and figurative language, figures of
Although the word "kenning" is not often used for non-Germanic languages, a similar form can be found in Biblical poetry in its use of parallelism. Some examples include Genesis 49:11, in which "blood of grapes" is used as a kenning for "wine", [24] and Job 15:14, where "born of woman" is a parallel for "man". [25] [26]
The use of figurative language as a poetic device function to convey the poet's intended meaning in various ways. Allusion–A brief reference to a person, character, historical event, work of art, and Biblical or mythological situation. Analogy–Drawing a comparison or inference between two situations to convey the poet's message more ...
The repetition of identical or similar sounds, usually accented vowel sounds and succeeding consonant sounds at the end of words, and often at the ends of lines of prose or poetry. [7] For example, in the following lines from a poem by A. E. Housman, the last words of both lines rhyme with each other. Loveliest of trees, the cherry now
Literal and figurative language is a distinction that exists in all natural languages; it is studied within certain areas of language analysis, in particular stylistics, rhetoric, and semantics. Literal language is the usage of words exactly according to their direct, straightforward, or conventionally accepted meanings : their denotation .
Generative literature is poetry or fiction that is automatically generated, often using computers. It is a genre of electronic literature , and also related to generative art . John Clark 's Latin Verse Machine (1830–1843) is probably the first example of mechanised generative literature, [ 1 ] [ 2 ] while Christopher Strachey 's love letter ...
The form stems from medieval French poetry and seems to have had its origin in Picardy. [2] The earliest written examples are from the late 13th century. In this century, possibly the earliest surviving triolet is from "Li Roumans dou Chastelain de Couci et de la Dame de Fayel", where it is referred to as simply a song ("chanson"). [3]
This poem is one of Lord Tennyson's shortest pieces of literature. It is composed of two stanzas, three lines each. Contrary to the length, the poem is full of deeper meaning and figurative language. Often literary scholars believe the poem is short to emphasize the deeper meaning in nature itself, that the reader has to find himself.