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Minimalist photography arose in 1960s America from the minimalist movement. [4] While minimalism may manifest in many ways in other art forms, minimalist photography usually tends to make great use of negative space, employs sparse composition, and centers a strong singular focal point. [5]
In visual arts, music and other media, minimalism is an art movement that began in the post-war era in Western art. The movement is often interpreted as a reaction to abstract expressionism and modernism; it anticipated contemporary post-minimal art practices, which extend or reflect on minimalism's original objectives. [1]
Tony Smith, Free Ride, 1962, 6'8 × 6'8 × 6'8, Museum of Modern Art (New York City). Minimalism describes movements in various forms of art and design, especially Visual art and music, where the work is set out to expose the essence, essentials or identity of a subject through eliminating all non-essential forms, features or concepts.
From the movement's inception, artists were incorporating into their work the latest technologies of the Southern California-based engineering and aerospace industries to develop sensuous, light-filled objects. [3] Turrell, who has spread the movement worldwide, summed up its philosophy in saying, "We eat light, drink it in through our skins." [4]
In the ever-evolving world of art and design, trends come and go with dizzying speed. For years, two seemingly opposite aesthetics have dominated the conversation: minimalism and maximalism.
The works now in question held a meaning for the viewer with familiar imagery but it still retained the avant-garde approach of Minimalism. Pop Art is a well-recognized movement in 1960s culture. This type of art was very free-form fashionable and rebellious. It was wild and colorful but many works retained the idea of two dimensional flatness. [6]