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The "Golden Lyre of Ur" or "Bull's Lyre" is the finest lyre, and was given to the Iraq Museum in Baghdad. [10] Its reconstructed wooden body was damaged due to flooding during the Second Iraqi War; [11] [7] a replica of it is being played as part of a touring ensemble. [2] The "Golden Lyre" got its name because the whole head of the bull is ...
c. 2800 BC - The invention of the harp and the lyre in Mesopotamia. [3] [4] c. 2550–2450 BC - The invention of the Bull Headed Lyre of Ur, string instrument used in Mesopotamia. c. 2550-2450 BC - The invention of the Lyres of Ur, a stringed musical instrument from the Early Dynastic III Period of Mesopotamia. [5]
A depiction of a singer and a lyre player entertaining guests at a banquet c. 2500 BCE. Music was a normal part of social life in Mesopotamia. Detail from the Standard of Ur. British Museum, London. [1] Music was ubiquitous throughout Mesopotamian history, playing important roles in both religious and secular contexts.
The lyre (Hittite: zinar; Summerogram: GIŠ.d INANNA 'Ishtar-Instrument' after the Mesopotamian goddess Ishtar) is the best attested musical instrument. The textual and archaeological evidence distinguishes between small and large lyres. The two kinds of lyre could be played one after the other, but probably never at the same time.
[4] [10] Some scholars regard it as a drum, others a stringed instrument such as a lyre. Others have claimed it is both of these at once, and another theory suggests the word balag started out referring to a lyre, but over the period of several millennia, it came to mean a drum. [11] There were earlier suggestions that it was a bell. [12]
The purpose of this adjustment is to move the 12 notes within a smaller range of frequency, namely within the interval between the base note D and the D above it (a note with twice its frequency). This interval is typically called the basic octave (on a piano keyboard, an octave has only 12 keys). This dates to antiquity: in Ancient Mesopotamia ...
The music is melodically modal, and moves in a stepwise motion with repeated notes. Use of the lower end of a melodic range is characteristic, as is the use of silence; one listens through the silence. Following a cadence, the singer moves up to the next range of pitches. An arch shape is discernible, and the work ends in the original mode.
Copper figure of a bull from the Temple of Ninhursag, Tell al-'Ubaid, southern Iraq, around 2600 BCE. The Kesh temple hymn, Liturgy to Nintud, or Liturgy to Nintud on the creation of man and woman, is a Sumerian tablet, written on clay tablets as early as 2600 BCE. [1]