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"The Third Man Theme" (also written "3rd Man Theme" and known as "The Harry Lime Theme") is an instrumental written and performed by Anton Karas for the soundtrack to the 1949 film The Third Man. Upon release the theme proved popular, spending eleven weeks at number one on Billboard's United States Best Sellers in Stores chart. Multiple ...
Anton Karl Karas (7 July 1906 – 10 January 1985) was an Austrian zither player and composer, best known for his internationally famous 1948 soundtrack to Carol Reed's The Third Man. His association with the film came about as a result of a chance meeting with its director.
The Third Man is a 1949 film noir directed by Carol Reed, written by Graham Greene, and starring Joseph Cotten, Alida Valli, Orson Welles and Trevor Howard.Set in post-World War II Allied-occupied Vienna, the film centres on American writer Holly Martins (Cotten), who arrives in the city to accept a job with his friend Harry Lime (Welles), only to learn that he has died.
So sings Holly Martins (Sam Underwood) towards the end of the new musical adaptation of “The Third Man.” Indeed. As it turns out, the mystery at the heart of the show is not the expected ...
"Third Man Theme" Anton Karas: 4 "Sam's Song" Gary & Bing Crosby with Matty Matlock: 5 "Play a Simple Melody" 6 "Music, Music, Music" Teresa Brewer: 7 "Third Man Theme" Guy Lombardo: 8 "Chattanoogie Shoe Shine Boy" Red Foley: 9 "Harbor Lights" Sammy Kaye: 10 "It Isn't Fair" Sammy Kaye & Don Cornell: 11 "If I Knew You Were Coming I'd have Baked ...
Theme from Close Encounters of the Third Kind; Theme from New York, New York; Theme from Shaft; Theme from Summer of '42 (The Summer Knows) Theme from Superman (Main Title) (Theme from) Valley of the Dolls; Theme to St. Trinian's; The Third Man Theme; This Used to Be My Playground; This Woman's Work; The Three Caballeros (song) Thunderbirds / 3AM
The William Tell Overture is the overture to the opera William Tell (original French title Guillaume Tell), composed by Gioachino Rossini. William Tell premiered in 1829 and was the last of Rossini's 39 operas, after which he went into semi-retirement (he continued to compose cantatas, sacred music and secular vocal music).
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