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Gallien-Krueger's bass amp heads have a "boost" control that provides a simulated tube overdrive effect. The Behringer Ultrabass BVT5500H Bass Amplifier Head has a built-in limiter and overdrive. The LowDown LD 150 bass amp has a range of overdrive sounds, from a slight hint to heavy distortion. The CUBE-20XL BASS amp includes built-in overdrive.
Disclaimer II is the second studio album by South African rock band Seether.It is a recompilation of the band's first album, Disclaimer, from 2002.Although the 12 tracks from the original album are present, they were slightly remixed and differ from the original.
Loudness compensation activated on a NAD amplifier.. Loudness compensation, or simply loudness, is a setting found on some hi-fi equipment that increases the level of the high and low frequencies. [1]
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Marshall quickly reverted to the older Celestions. [2] Still, some users prefer the pre-JCM800 amplifiers, claiming that those have a warmer, less "brittle" sound. [3] The amplifier was equipped with EL34 valves (tubes) for amps sold in the UK, Europe, and Canada. 6550 tubes for amps exported to the United States from approximately 1973 to 1985 ...
U.S. music-business magazine Cash Box said of the song: "rockin' in the tradition of Creedence and T Rex, the Hollies at their most commercial since 'He Ain't Heavy.'" [7] In the Hollies' native United Kingdom, the song was only a modest success, peaking at number 32 on the charts. However, it was a much bigger hit in the United States, peaking ...
"I Don't Wanna Be Me" is a song by American gothic metal band Type O Negative. It is the second track on the band's sixth studio album, Life Is Killing Me (2003), and was released as a promo single the same year. Contrary to the gothic metal and doom metal style of the band's other songs, "I Don't Wanna Be Me" is often considered a punk rock song.
Fender Blues Junior front view. The Blues Junior is a tube guitar amplifier introduced in 1995 by the Fender Musical Instrument Corporation.It is aimed at achieving the warm, tube-driven tone common in many styles of American blues and blues rock dating back to the 1950s, while remaining both portable and affordable.