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Turn! Turn! Turn! is the second studio album by the American rock band the Byrds, released on December 6, 1965, by Columbia Records. [1] Like its predecessor, Mr. Tambourine Man, the album epitomized the folk rock genre and continued the band's successful mix of vocal harmony and jangly twelve-string Rickenbacker guitar. [2]
The Byrds' discography was originally released on the vinyl format, as full-length LPs, shorter EPs, and singles. [2] Since the 1960s, the band's back catalogue has also been released on reel-to-reel tape , audio cassette , 8-track tape , CD , MiniDisc , digital downloads , and, most recently, as streaming media .
The Byrds' rendition of "All I Really Want to Do" is noticeably different in structure to Dylan's original: it features an ascending melody progression in the chorus and utilizes a completely new melody for one of the song's verses, to turn it into a Beatlesque, minor-key bridge. [69]
The Byrds is a four-CD box set by the American rock band the Byrds. It features music that had previously been released between the mid-1960s and early 1970s, along with a number of previously unreleased tracks and some new recordings from 1990. [ 1 ]
Anyone who clicked on this article knows that the Byrds are one of the greatest and most influential rock groups of all time: They weren’t only influenced by the Beatles, they influenced them ...
Set You Free: Gene Clark in the Byrds 1964–1973 (Raven, November 2004) – selected recordings with the Byrds; Here Tonight: The White Light Demos (Omnivore Recordings/A&M, March 2013) – selected demos; The Lost Studio Sessions 1964–1982 (Sierra, December 2016) – unreleased recordings
"It Won't Be Wrong" is a song by the American folk rock band the Byrds, which appeared as the second track on their 1965 album, Turn! Turn! Turn! [2] It was also coupled with the song "Set You Free This Time" for a single release in 1966, [2] resulting in "It Won't Be Wrong" charting at number 63 on the Billboard Hot 100. [3]
CD and cassette sales, for context, first overtook vinyl sales in 1988 and continued to reign supreme as the preferred physical formats for music consumption in the ’90s and aughts.