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Wang Dao helped suppress attempted coups by his cousin Wang Dun in 322 and 324. Wang Xizhi's reaction to these conflicts between his uncles, [c] which ultimately resulted in Wang Dun's death in 324, left him with a distaste for political and military affairs. [17] [21] Wang Xizhi depicted in Wanxiaotang huazhuan by Shangguan Zhou, 1743
The gathering at the Orchid Pavilion is also famous for the artistry of the calligraphy of Wang Xizhi, [2] who was both one of the participants as well as the author and calligrapher of the Lantingji Xu (Preface to the Poems Composed at the Orchid Pavilion). Sun Chuo also wrote a preface, which is somewhat less famous. [3]
The Lantingji Xu (traditional Chinese: 蘭亭集序; simplified Chinese: 兰亭集序; pinyin: Lántíngjí Xù; lit. 'Preface to the Poems Collected from the Orchid Pavilion'), or Lanting Xu ("Orchid Pavilion Preface"), is a piece of Chinese calligraphy work generally considered to be written by the well-known calligrapher Wang Xizhi (303–361) from the Eastern Jin dynasty (317–420).
To commemorate this day, the calligrapher Wang Xizhi wrote an introduction to the poems collected on the Jade Mountain carving. [1] Wang was particularly renowned for his cursive script and was also a highly esteemed scholar of the time. According to the Minneapolis catalog, 41 scholars along with Wang went to this festival.
Africa Today is a peer-reviewed, interdisciplinary academic journal with articles about contemporary Africa. It was founded in 1954 and is published quarterly by the Indiana University Press . [ 1 ] The editors accept submissions based on original research in any humanities and social science discipline.
The Yongle Emperor (reigned 1402–1424) was particularly fond of it and even designated the style of the two Wangs (Wang Xizhi and his son Wang Xianzhi from the 4th century) as the official script. His successor, the Hongxi Emperor , was renowned for his calligraphy skills and was often compared to the Tang Emperor Taizong (reigned 626–649).
Pre-colonial Africa was made up of ethnic groups and states that embarked on migrations depending on seasons, the availability of fertile soil, and political circumstances. . Therefore, power was decentralized among several states in pre-colonial Africa (many people held some form of authority and as such power was not concentrated in a particular person or an institution).
The kǎishū style (traditional regular script)—still in use today—and attributed to Wang Xizhi (王羲之, 303 CE – 361 AD) and his followers, is even more regularized. [24] reached its peak in the Tang dynasty, when famous calligraphers like Yan Zhenqing and Liu Gongquan produced most of the fine works in kaishu.