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The phrase "image of God" is found in three passages in the Hebrew Bible, all in the Book of Genesis 1–11: . And God said: 'Let us make man in our image/b'tsalmeinu, after our likeness/kid'muteinu; and let them have dominion over the fish of the sea, and over the fowl of the air, and over the cattle, and over all the earth, and over every creeping thing that creepeth upon the earth.'
The earliest catechisms of Reformed (Calvinist) Christianity, written in the 16th through 18th centuries, including the Heidelberg (1563), Westminster (1647) and Fisher's (1765), included discussions in a question and answer format detailing how the creation of images of God (including Jesus) was counter to their understanding of the Second ...
The account in Genesis naturally credits the Creation to the single figure of God, in Christian terms, God the Father. However the first person plural in Genesis 1:26 "And God said, Let us make man in our image, after our likeness", and New Testament references to Christ as Creator (John 1:3, Colossians 1:15) led Early Christian writers to ...
God the Father is symbolized in several Genesis scenes in Michelangelo's Sistine Chapel ceiling, most famously The Creation of Adam (whose image of near touching hands of God and Adam is iconic of humanity, being a reminder that Man is created in the Image and Likeness of God ).God the Father is depicted as a powerful figure, floating in the ...
Héliodore Pisan after Gustave Doré, "The Crucifixion", wood-engraving from La Grande Bible de Tours (1866). It depicts the situation described in Luke 23.. The illustrations for La Grande Bible de Tours are a series of 241 wood-engravings, designed by the French artist, printmaker, and illustrator Gustave Doré (1832–1883) for a new deluxe edition of the 1843 French translation of the ...
But large free-standing sculpture, the medium for the most prominent pagan images, continued to be distrusted and largely shunned for some centuries, and virtually up to the present day in the Orthodox world. [1] The oldest Christian sculptures are small reliefs from Roman sarcophagi, dating to the beginning
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God the Father turning the press and the Lamb of God at the chalice. Prayer book of 1515–1520. The image was first used c. 1108 as a typological prefiguration of the crucifixion of Jesus and appears as a paired subordinate image for a Crucifixion, in a painted ceiling in the "small monastery" ("Klein-Comburg", as opposed to the main one) at Comburg.