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In France aesthetic speculation grew out of the discussion by poets and critics on the relation of modern art; and Boileau in the 17th century, the development of the dispute between the "ancients" and the "moderns" at the end of the 17th century by B. le Bouvier de Fontenelle and Charles Perrault, and the continuation of the discussion as to ...
The term was used to describe the process of contemplating art objects as representation of our feelings. [6] Lipps developed it into an aesthetic theory, which was refined further by other thinkers such as Roger Fry and Vernon Lee. [6] This concept of aesthetic resonance finds parallels throughout aesthetic philosophy.
The challenge to the assumption that beauty was central to art and aesthetics, thought to be original, is actually continuous with older aesthetic theory; Aristotle was the first in the Western tradition to classify "beauty" into types as in his theory of drama, and Kant made a distinction between beauty and the sublime.
It occurs to change the sound…The resulting quale, whatever it may be, has its meaning wholly determined by reference to the hearing of the sound. It is that experience mediated. [2] The biological sensory exchange between man, whom Dewey calls 'the Live Creature' in Art as Experience, and the environment, is the basis of his aesthetic theory:
Aestheticism (also known as the aesthetic movement) was an art movement in the late 19th century that valued the appearance of literature, music, fonts and the arts over their functions. [ 1 ] [ 2 ] According to Aestheticism, art should be produced to be beautiful, rather than to teach a lesson , create a parallel , or perform another didactic ...
Aesthetics is derived from the Greek word "aisthetikos" [3] defined as a perception of the senses. In aesthetics, there is a process of individual analysis, perception and imagination. [4] Perception is defined as an individual's neurophysiological process of awareness and interpreting external stimuli. [5]
Aesthetic Theory: Essential Texts is an anthology of the most important texts written on aesthetics and beauty since Plato till nowadays. It is edited by the theorist Mark Foster Gage who is tenured associate professor at the Yale University. The book is made up of twenty chapters each about an influential figure in the field of aesthetics.
The psychology of art is the scientific study of cognitive and emotional processes precipitated by the sensory perception of aesthetic artefacts, such as viewing a painting or touching a sculpture. It is an emerging multidisciplinary field of inquiry, closely related to the psychology of aesthetics, including neuroaesthetics .