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Ensō (c. 2000) by Kanjuro Shibata XX.Some artists draw ensō with an opening in the circle, while others close the circle.. In Zen art, an ensō (円 相, "circular form") [1] is a circle hand-drawn in one or two uninhibited brushstrokes to express the Zen mind, which is associated with enlightenment, emptiness, freedom, and the state of no-mind.
Early Buddhist symbols which remain important today include the Dharma wheel, the Indian lotus, the three jewels and the Bodhi tree. [1] Buddhism symbolism is intended to represent the key values of the Buddhist faith. The popularity of certain symbols has grown and changed over time as a result of progression in the followers ideologies.
A further meaning of non-duality in Zen is as the absence of a duality between the perceiving subject and the perceived object. [208] [209] [210] This understanding of non-duality is derived from the Indian Yogachara school. [211]
15th century Japanese hanging scroll depicting a scene from the Oxherding sequence. Ten Bulls or Ten Ox Herding Pictures (Chinese: shíniú 十牛 , Japanese: jūgyūzu 十牛図 , korean: sipwoo 십우) is a series of short poems and accompanying drawings used in the Zen tradition to describe the stages of a practitioner's progress toward awakening, [web 1] and their subsequent return to ...
See also Zen for an overview of Zen, Chan Buddhism for the Chinese origins, and Sōtō, Rinzai and Ōbaku for the three main schools of Zen in Japan. Japanese Zen refers to the Japanese forms of Zen Buddhism, an originally Chinese Mahāyāna school of Buddhism that strongly emphasizes dhyāna, the meditative training of awareness and equanimity. [1]
doan In Zen, a term for person sounding the bell that marks the beginning and end of Zazen: Japanese: 堂行 dōan; dokusan A private meeting between a Zen student and the master. It is an important element in Rinzai Zen training, as it provides an opportunity for the student to demonstrate understanding Japanese: 独参 dokusan; 獨參 Cn: dúcān
Despite its cosmic meanings a yantra is a reality lived. Because of the relationship that exists in the Tantras between the outer world (the macrocosm) and man's inner world (the microcosm), every symbol in a yantra is ambivalently resonant in inner–outer synthesis, and is associated with the subtle body and aspects of human consciousness. [6]
manji* (卍）- the Japanese name of the swastika, symbol used for Buddhist temples in Japanese maps. mappō - the Degenerate Age of Dharma; miei-dō* (御影堂) – lit. "image hall". Building housing an image of the temple's founder, equivalent to a Zen sect's kaisan-dō. [1]