Ads
related to: japan a documentary history pdf file full form hd 1080pstudy.com has been visited by 100K+ users in the past month
Search results
Results From The WOW.Com Content Network
A is a 1998 Japanese documentary film about the Aum Shinrikyo cult following the arrest of its leaders for instigating the sarin gas attack on the Tokyo subway in 1995. The film focuses on a young spokesman for the cult Hiroshi Araki, a troubled 28-year-old who had severed all family ties and rejected all forms of materialism before joining the sect.
You are free: to share – to copy, distribute and transmit the work; to remix – to adapt the work; Under the following conditions: attribution – You must give appropriate credit, provide a link to the license, and indicate if changes were made.
Noriaki Tsuchimoto (土本典昭, Tsuchimoto Noriaki) (11 December 1928, in Gifu Prefecture, Japan – 24 June 2008) was a Japanese documentary film director known for his films on Minamata disease and examinations of the effects of modernization on Asia.
This page was last edited on 19 February 2019, at 01:22 (UTC).; Text is available under the Creative Commons Attribution-ShareAlike 4.0 License; additional terms may apply.
Me and the Cult Leader (Aganai) is a 2020 Japanese documentary film.The film follows the director, Atsushi Sakahara, a victim of the 1995 Tokyo Subway Sarin Gas Attack, and Araki Hiroshi, a current executive member of the doomsday cult Aleph (previously Aum Shinrikyo) behind the attack, as they travel to their hometowns in the Kyoto prefecture.
History and Memory: For Akiko and Takashige is a 1991 documentary film by Rea Tajiri. In her film, Tajiri recalls her family's experience of the American internment of the Japanese during World War II. [2] [3] [4] History and Memory explores the story beyond the recorded history of the internment of the Japanese and Japanese Americans. [5]
Documentary films about Japanese war crimes (12 P) Pages in category "Documentary films about Japan" The following 28 pages are in this category, out of 28 total.
Characteristically, Imamura seeks to investigate an alternative interpretation of recent Japanese history through the eyes of a person living in the lower strata of that society. [4] Beginning with this film, Imamura was to spend the next decade working in the documentary format. He returned to purely fictional narrative with Vengeance is Mine ...