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This ambiguous harmonic progression is made of chords that lack one note, leaving it unclear what the harmony is. The first chord lacks a third, so could be B major or B minor. The second has only the interval of a third, so it is unclear whether it is the second inversion of a D-sharp minor chord or the first inversion of F-sharp major.
An example: Dieterich Buxtehude's O dulcis Jesu (BuxWV 83) in full score using tablature Keyboard tablature is a form of musical notation for keyboard instruments.Widely used in some parts of Europe from the 15th century, it co-existed with, and was eventually replaced by modern staff notation in the 18th century.
Pressing a key on the keyboard makes the instrument produce sounds—either by mechanically striking a string or tine (acoustic and electric piano, clavichord), plucking a string (harpsichord), causing air to flow through a pipe organ, striking a bell , or activating an electronic circuit (synthesizer, digital piano, electronic keyboard).
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The I–V–vi–IV progression, also known as the four-chord progression is a common chord progression popular across several genres of music. It uses the I, V, vi, and IV chords of a musical scale. For example, in the key of C major, this progression would be C–G–Am–F. [1] Rotations include: I–V–vi–IV : C–G–Am–F
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Gradually the climax declines until the snare and piano share two major-key progressions, signalling a short but fluid exit of instruments. The last to leave are the strings; the piano then concludes the movement alone in soft minor resolutions (in some ways similar to those finishing the cadenza of Tchaikovsky's First Piano Concerto.)
Music in Twelve Parts is a set of twelve pieces written between 1971 and 1974 by the composer Philip Glass. [1]This work cycle was originally scored for ten instruments, played by five musicians: three electric organs, two flutes, four saxophones (two soprano, one alto, one tenor) and one female voice.