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The Grifters is a 1990 American neo-noir [1] crime thriller film directed by Stephen Frears, produced by Martin Scorsese, and starring John Cusack, Anjelica Huston, and Annette Bening. [2] The screenplay was written by Donald E. Westlake , based on Jim Thompson 's 1963 novel .
The Grifters is a noir fiction novel by Jim Thompson, published in 1963. [1] [2] [3] Plot. Roy Dillon is a 25-year-old con artist living in Los Angeles. At the start ...
The Grifters, a 1963 American novel by Jim Thompson The Grifters (film) , a 1990 American adaptation of the novel Grifter (character) , a comic book superhero from Image Comics and DC Comics
Grifter (Cole Cash) is a superhero appearing in books published by Wildstorm Productions and DC Comics. Created by artist Jim Lee and writer Brandon Choi , he first appeared in WildC.A.T.s #1 (August 1992), as a member of that titular superhero team, during the period when Wildstorm and its properties were owned by Jim Lee. [ 1 ]
Grifters is an indie rock/alternative rock band based in Memphis who have released albums on Darla Records, Doink, Sonic Noise, Shangri-La Records, and Sub Pop Records. The band released five studio albums from 1992 to 1997.
Donald E. Westlake, who adapted The Grifters for the screen, observed that alcoholism had a great role in Thompson's literature, but it tended to be tacit and subtle. Westlake described typical personal relationships in Thompson novels as pleasant in the morning, argumentative in the afternoon and abusive at night—behavior common to the ...
Recorded at Easley Studios by The Grifters and Doug Easley and Davis McCain "Dead Already", "Arizona" and "Piddlebach" recorded at Scott's on 4-track "Here Comes Larry" recorded at Easley's on 4-track "Black Fuel Incinerator" rhythm section recorded on 4-track in a Memphis parking garage across the street from The Flower Shop
Ain't My Lookout is the fourth full-length album by Memphis indie rock band The Grifters, and their first for Sub Pop Records.While Sub Pop released the Compact Disc, the Grifters remained true to their old home, Shangri-La Records, which was able to receive the licensing for the vinyl release.