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He commissioned two paintings for the cathedral of Narbonne, The Transfiguration of Christ from Raphael and The Raising of Lazarus from Sebastiano del Piombo. With Michelangelo providing drawings for the latter work, Medici was rekindling the rivalry initiated a decade earlier between Michelangelo and Raphael, in the Stanze and Sistine Chapel. [4]
Saint John the Baptist Preaching (Raphael) [Wikidata] National Gallery, London, United Kingdom: Oil on panel 26,2 x 52 c. 1505 Small Cowper Madonna: National Gallery of Art, Washington, United States: Oil on panel 59,5 x 44 c. 1505: Terranuova Madonna: Gemäldegalerie, Berlin, Germany: Oil on panel Diameter 88,5 1505–1506: Christ Blessing
And in truth, whoever considers the diligence, love, art and grace shown by this picture, has great reason to marvel, for it amazes all who behold it, what with the air of the figures, the beauty of the draperies, and in short, the supreme excellence that it reveals in every part. [13]
The Resurrection of Christ (1499–1502), also called The Kinnaird Resurrection (after a former owner of the painting, Lord Kinnaird), is an oil painting on wood by the Italian High Renaissance master Raphael. The work is one of the earliest known paintings by the artist, executed between 1499 and 1502.
Pages in category "Paintings of Raphael (archangel)" The following 16 pages are in this category, out of 16 total. This list may not reflect recent changes. A.
Raphael: A Critical Catalogue of his Pictures, Wall-Paintings and Tapestries, catalogue raisonné by Luitpold Dussler published in the United States by Phaidon Publishers, Inc., 1971, ISBN 0-7148-1469-5 (out of print, but an online version is here ) Raphael at the Metropolitan: The Colonna Altarpiece, Wolk-Simon, Linda. (2006).
The Madonna della Seggiola or The Madonna della Sedia (28" in diameter (71 cm)) is an oil on panel Madonna painting by the High Italian Renaissance artist Raphael, executed c. 1513–1514, and housed at the Palazzo Pitti Collection in Florence, Italy. Although there is documentation on its arrival to its current location, Palazzo Pitti, it is ...
The other religious symbol seen is the faint halos that disappeared as artists entered the High Renaissance. The book that the Madonna is holding is believed to contain the foretelling of Christ's death. [4] The way Raphael composed the painting creates a sense of intimacy between Mary and Christ, with John the Baptist as witness.