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This is a list of films with high frame rates. Only films with a native (without motion interpolation ) shooting and projection frame rate of 48 or higher, for all or some of its scenes , are included, as are films that received an official post-conversion using technologies such as TrueCut Motion.
In early cinema history, there was no standard frame rate established. Thomas Edison's early films were shot at 40 fps, while the Lumière Brothers used 16 fps. This had to do with a combination of the use of a hand crank rather than a motor, which created variable frame rates because of the inconsistency of the cranking of the film through the camera.
Early silent films had stated frame rates anywhere from 16 to 24 frames per second (FPS), [6] but since the cameras were hand-cranked, the rate often changed during the scene to fit the mood. Projectionists could also change the frame rate in the theater by adjusting a rheostat controlling the voltage powering the film-carrying mechanism in the ...
Due to the complexity of the film's unprecedented high frame rate and the cost of installing equipment capable of projecting the film in its intended format, only five theaters globally were equipped to show it at its highest resolution and maximum frame rate: two in the United States (one at a theater in New York City's AMC Lincoln Square ...
IMAX is a proprietary system of high-resolution cameras, film formats, film projectors, and theaters known for having very large screens with a tall aspect ratio (approximately either 1.43:1 or 1.90:1) and steep stadium seating, with the 1.43:1 ratio format being available only in few selected locations.
GoPro, Sony, and other action camera competitors record video at 1080p and 2.7k at 120 fps, 720p and 1080p at 240 fps, and 4k at 60 fps. Although the video formats were designed for slowing down in post-production, the cameras generally record very high frame rates [7] in high definition with generally clear audio.
In 3D. Filmed with Phantom 65 IMAX 3D Digital cameras. Some shots filmed in 35mm and converted to 3D. First mainstream feature to be partially shot with digital IMAX 3D cameras with 95 minutes of IMAX 3D footage. Aspect ratio alternates between 2.39:1, 2.00:1, and 1.90:1. The longest IMAX 3D movie ever filmed. [243] [244] Hercules: 25 July 2014 **
A demo film to showcase the merits of filming using Todd-AO's new Cinespace 70 cameras. The negative specifications were identical to Todd-AO but the frame rate was increased to 30fps. Warriors of the Wasteland (USA 1989) - Super Panavision 70 (65mm camera negative was frame scanned at 4k and restored in 2014)