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According to feminist art historians Norma Broude and Mary Garrard: "Women artists in the 1950s and 1960s suffered professional isolation not only from one another, but also from their own history, in an era when women artists of the past had been virtually written out of the history of art, H.W. Janson's influential textbook, History of Art ...
The artist and art history professor H. W. Janson, reviewing the book for College Art Journal, remarked that it was "undoubtedly destined for a most successful career in the classroom". [8] He praised the book for its accessible language and selections free from Gombrich's own preferences, measuring the book against scholarly standards. [8]
Butler began her academic career as an assistant professor of art history at the University of Maryland, College Park from 1969 to 1972. [4] She later joined the University of Massachusetts Boston, where she served as associate professor starting in 1973 and chaired the art department from 1976 to 1980. She retired in 1992 as professor emerita.
She also collaborated as co-author with her husband on The Story of Painting for Young People (1954) and History of Art (1962). History of Art entirely excluded women painters. [4] Dora Janson's From slave to siren (1971), an extensive catalog of a Duke University Museum of Art exhibition on Victorian women's jewellery, related the jewelry to ...
Her 2017 monograph, Architecture and Politics in Republican Rome, is described as "an authoritative account of the inextricable relationship between Roman art and architecture and Roman history". [4] Davies has collaborated on recent editions of Janson's History of Art [5] and Janson's A Basic History of Art. [6]
Robert Rosenblum (July 24, 1927 – December 6, 2006) was an American art historian and curator known for his influential and often irreverent scholarship on European and American art of the mid-eighteenth to 20th centuries.