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Release prints are generally expensive. For example, in the United States, as of 2005, it typically cost at least US$1,000 to manufacture a release print, and that number did not include the additional cost of shipping the bulky release print to a movie theater for public exhibition. [10]
He faulted the studios for their insufficiently diverse offerings in 2013 as compared to the first quarter of the year before, which he connected to the dump-months phenomenon. "Any month can produce a $100 million movie," he said in his speech. "In 2012, distributors spread their movies over the calendar, and we had a record year." [49]
Film distribution, also called film exhibition or film distribution and exhibition, is the process of making a film available for viewing to an audience. This is normally the task of a professional film distributor, who would determine the marketing and release strategy for the film, the media by which a film is to be exhibited or made available for viewing and other matters.
A simultaneous release, also known as a day-and-date release, is the release of a film on multiple platforms—most commonly theatrical, home video and video on demand (VOD)—on the exact same day, or in very close proximity to each other. This is in contrast to the industry standard of having a window of exclusivity (usually 90 days) between ...
A movie theater (American English) [1] or cinema (Commonwealth English), [2] also known as a movie house, cinema hall, picture house, picture theater, the pictures, or simply theater, is a business that contains auditoriums for viewing films for public entertainment.
In 1946, David O. Selznick's Duel in the Sun was given a "blitz" release, where it was released simultaneously in a number of theaters in an area or city — as many as 54 theaters in one area [6] at the same time. The "blitz" system had been used "for some years" prior to 1947 in Los Angeles, due to that city's geographic sprawl. [6]
Many movie theaters until the 1980s had curtains that covered the screen, and which would open when the show actually began and close when it ended. Some roadshow scheduling mimicked the performance schedule of live theatre such as Broadway theatre. Wednesdays, Saturdays, and Sundays would have two screenings, while during the rest of the week ...
The most common is the aggregate deal where total box office revenue that a given film generates is split by a pre-determined mutually-agreed percentage between distributor and movie theater. The other method is the sliding scale deal, where the percentage of box office revenue taken by theaters declines each week of a given film's run. [4]