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Film noir (/ n w ɑːr /; French: [film nwaʁ]) is a style of Hollywood crime dramas that emphasizes cynical attitudes and motivations. The 1940s and 1950s are generally regarded as the "classic period" of American film noir. Film noir of this era is associated with a low-key, black-and-white visual style that has roots in German expressionist ...
Film noir is not a clearly defined genre (see here for details on the characteristics). Therefore, the composition of this list may be controversial. To minimize dispute the films included here should preferably feature a footnote linking to a reliable, published source which states that the mentioned film is considered to be a film noir by an expert in this field, e.g.
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Neo-noir is a film genre that adapts the visual style and themes of 1940s and 1950s American film noir for contemporary audiences, often with more graphic depictions of violence and sexuality. [1] During the late 1970s and the early 1980s, the term "neo-noir" surged in popularity, fueled by movies such as Sydney Pollack 's Absence of Malice ...
This is a list of genres of literature and entertainment (film, television, music, and video games), excluding genres in the visual arts.. Genre is the term for any category of creative work, which includes literature and other forms of art or entertainment (e.g. music)—whether written or spoken, audio or visual—based on some set of stylistic criteria.
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Another example of a genre changing over time is the popularity of the neo-noir films in the early 2000s (Mulholland Drive (2001), The Man Who Wasn't There (2001) and Far from Heaven (2002); are these film noir parodies, a repetition of noir genre tropes, or a re-examination of the noir genre?
Nino Frank (27 June 1904 − 17 August 1988) was an Italian-born French film critic and writer who was most active in the 1930s and '40s. Frank is best known for being the first film critic to use the term "film noir" to refer to 1940s US crime drama films such as The Maltese Falcon.