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Italo-Byzantine is a style term in art history, mostly used for medieval paintings produced in Italy under heavy influence from Byzantine art. [2] It initially covers religious paintings copying or imitating the standard Byzantine icon types, but painted by artists without a training in Byzantine techniques.
Berlinghiero also known as Berlinghiero Berlinghieri or Berlinghiero of Lucca (fl. 1228 – between 1236 and 1242), was an Italian painter in the Italo-Byzantine style of the early thirteenth century. He was the father of the painters Barone Berlinghieri, Bonaventura Berlinghieri, and Graco Berlinghieri.
Coppo di Marcovaldo (c. 1225 – c. 1276) [1] was a Florentine painter in the Italo-Byzantine style, active in the middle of the thirteenth century, whose fusion of both the Italian and Byzantine styles had great influence on generations of Italian artists.
Byzantine artisans were used in important projects throughout Italy, and what are called Italo-Byzantine styles of painting can be found up to the 14th century. Italo-Byzantine style initially covers religious paintings copying or imitating the standard Byzantine icon types, but painted by artists without a training in Byzantine techniques.
The Cretan School continued using gold gilded backgrounds which became known as the Maniera Greca in the West, where many were exported, and is now called the Italo-Byzantine style. Greek painters continued emulating the Byzantine masters in Crete and the Ionian Islands. Most Italian painters adopted oil painting, abandoning the egg tempera ...
The 'Madonna Enthroned' shows the numerous styles of art that influenced Giotto. In both the gold coloring used throughout the artwork and the flat gold ground, Giotto's art continued the traditional Italo-Byzantine style usual in the proto-Renaissance period. The altarpiece represents a formalized representation of an icon, still retaining the ...
In the second edition of his Lives of the Most Excellent Painters, Sculptors, and Architects (1568), Giorgio Vasari [10] used maniera in three different contexts: to discuss an artist's manner or method of working; to describe a personal or group style, such as the term maniera greca to refer to the medieval Italo-Byzantine style or simply to ...
Byzantine art comprises the body of artistic products of the Eastern Roman Empire, [1] as well as the nations and states that inherited culturally from the empire. Though the empire itself emerged from the decline of western Rome and lasted until the Fall of Constantinople in 1453, [2] the start date of the Byzantine period is rather clearer in art history than in political history, if still ...