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The music features parts played with accordion, piano, harpsichord, banjo, bass guitar, vibraphone, and even a bicycle wheel at the end of "La Dispute" [citation needed] (which plays over the opening titles in the motion picture). "Les Jours Tristes", was co-written with Neil Hannon of The Divine Comedy.
Bassline (also known as a bass line or bass part) is the term used in many styles of music, such as blues, jazz, funk, dub and electronic, traditional, and classical music, for the low-pitched instrumental part or line played (in jazz and some forms of popular music) by a rhythm section instrument such as the electric bass, double bass, cello, tuba or keyboard (piano, Hammond organ, electric ...
Taylor Swift’s almost-two-year Eras Tour run touched fans right around the world — including her longtime bass player Amos Heller. Heller, 47, who joined Swift’s band in 2007, took to social ...
"The Suffering" is a song by American progressive rock band Coheed and Cambria, appearing on the band's third studio album Good Apollo, I'm Burning Star IV, Volume One: From Fear Through the Eyes of Madness. The song was released as the album's second single and had some crossover success, reaching no. 10 on the Billboard Bubbling Under Hot 100 ...
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The lineup of the Pink Fairies (Mark 1) featured Think Pink musicians Twink, Took, and Farren–-all three having left their respective bands-–and was named after the 'Pink Fairies Rock 'n' Roll Club', a loose group of affiliated musicians including Took, Farren, the Deviants, Syd Barrett (formerly of Pink Floyd), and the Pretty Things.
Nathan Tysen (born January 15, 1977) is a Grammy-nominated [1] American songwriter whose musicals have appeared on Broadway and the West End. Musicals with composer Chris Miller include Tuck Everlasting, [2] The Burnt Part Boys, Fugitive Songs, Revival, Dreamland, and The Mysteries of Harris Burdick.
A slur is denoted with a curved line generally placed over the notes if the stems point downward, and under them if the stems point upwards. Prime functions of the slur in keyboard music...are to delineate the extent of a phrase line and to indicate the legato performance of melodies or arpeggiated chords. [1]