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No quiere juego con tu marido (Danza cubana no. 1), 1924 La viciosa (Danza cubana no. 2), 1924 La número tres (Danza cubana no. 3), 1924 Cuentos musicales. Escanas infantiles, 1925 Danza del Tambor Danza Lucumí Tres Preludios, 1925 Tres danzas cubanas, 1927 Obertura cubana, 1928 Comparsa (a Fernando Ortiz), 1930 Preludio Homenaje a Changó, 1936
Cuento is a Spanish word meaning literally "story" or "tale". Cuento may specifically refer to folk tales , a category of folklore that includes stories passed down through oral tradition. The word cuento may also be used as a verb to say "tell", as if you are "telling" a story ("Cuento").
Fuentes was born in Panama City, the son of Berta Macías and Rafael Fuentes, the latter of whom was a Mexican diplomat. [2] [6] As the family moved for his father's career, Fuentes spent his childhood in various Latin American capital cities, [3] an experience he later described as giving him the ability to view Latin America as a critical outsider. [7]
Eugenio María de Hostos y de Bonilla was born into a well-to-do family in Barrio Río Cañas of Mayagüez, Puerto Rico, on January 11, 1839. [2] His parents were Eugenio María de Hostos y Rodríguez (1807–1897) and María Hilaria de Bonilla y Cintrón (died 1862, Madrid, Spain), both of Spanish descent.
Rodríguez de Tió was born Dolores Rodríguez de Astudillo y Ponce de León [note 1] in San Germán, Puerto Rico.Her father, Sebastián Rodríguez de Astudillo, was one of the founding members of the Ilustre Colegio de Abogados de Puerto Rico (literally, "Illustrious College of Attorneys," the governing body for Spanish attorneys in Puerto Rico, similar to a bar association). [2]