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The Thieving Magpie (La Gazza Ladra) is a double live album by the British neo-prog band Marillion.It was named after the introductory piece of classical music the band used before coming on stage during the Clutching at Straws tour 1987–1988, the overture to Rossini's opera La gazza ladra, which translates as "The Thieving Magpie".
The single was intended to promote the forthcoming double-live album The Thieving Magpie, which documents the band's history with singer Fish, who had left the band in October 1988; as such, this was Marillion's last single to feature Fish on vocals and cover art by Mark Wilkinson, who would go on to collaborate with Fish.
This is the discography of the British rock band Marillion.Mostly associated with the progressive rock genre, they emerged as the most successful band of its second wave, neo-prog, but they have also achieved over 20 UK Top 40 singles, including four which reached the Top 10.
Marillion / m ə ˈ r ɪ l i ə n / are a ... The band's second live album, The Thieving Magpie, was released in late 1988, marking the end of an era. Aftermath
Real to Reel (Marillion album) ... The Thieving Magpie (album) U. Unplugged at the Walls This page was last edited on 20 May 2018, at 19:11 (UTC). ...
The Thieving Magpie is best known for the overture, which is musically notable for its use of snare drums. This memorable section in Rossini's overture evokes the image of the opera's main subject: a devilishly clever, thieving magpie. Rossini wrote quickly, and La gazza ladra was no exception. A 19th-century biography quotes him as saying that ...
The cover artwork was designed by Mark Wilkinson, who would be commissioned to the role on all Marillion releases through The Thieving Magpie (1988). [9] In later years, both Fish and Steve Rothery have spoken critically of their work on the album. Fish said in 2016, "I hear somebody singing in very bad keys!
B'Sides Themselves is a compilation of single B-sides by the British neo-prog band Marillion, which was released on CD only in January 1988.This was the first time that those B-sides were made available in the then still relatively new Compact Disc format (with the exception of "Tux On", which had featured on a limited edition CD single of "Sugar Mice" that was only sold at concerts).