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Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb (known simply and more commonly as Dr. Strangelove) is a 1964 political satire black comedy film co-written, produced, and directed by Stanley Kubrick. It is loosely based on the thriller novel Red Alert (1958) by Peter George, who wrote the screenplay with Kubrick and Terry ...
1964 Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb: Yes Yes Yes Based on Red Alert by Peter George; Co-adapted with Terry Southern and Peter George [47] 1968 2001: A Space Odyssey: Yes Yes Yes Co-written with Arthur C. Clarke; Also director and designer of special photographic effects [19] [48] [49] [50] 1971 A Clockwork ...
Ace editor Donald Wollheim, however, suggested the final title which references the film Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb (1964). [ 2 ] Plot summary
The “Alan Partridge” star will play multiple roles as the lead in the London stage version of Stanley Kubrick’s 1964 political satire film “Dr. Strangelove or: How I Learned to Stop ...
In his first movie role ever, Jones played calm and collected bomber pilot Lt. Lothar Zogg in the Cold War satire, “Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb.”
The CRM 114 on the B-52 in Dr. Strangelove. The CRM 114 Discriminator is a fictional piece of radio equipment in Stanley Kubrick's film Dr. Strangelove (1964), the destruction of which prevents the crew of a B-52 from receiving the recall code that would stop them from dropping their hydrogen bomb payloads onto Soviet territory.
Released 60 years ago this week, Stanley Kubrick’s 1964 film, “Dr. Strangelove, Or How I Learned To Stop Worrying and Love the Bomb,” still resonates today, writes Noah Berlatsky. Although ...
Partly on the recommendation of Peter Sellers, Stanley Kubrick asked Southern to help revise the screenplay of Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb (1964). The film was based on the Cold War thriller Red Alert (1958) by Peter George, the rights to which Kubrick had secured for $3,000.