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Semar mendem which is lemper wrapped in thin omelette. A variant snack almost identical to lemper is called semar mendem. Both are glutinous rice filled with shredded seasoned chicken. Instead of banana leaf wrapping, semar mendem uses a thin omelette made from egg and flour as wrapper, hence rendering the whole package edible.
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Gamelan semar pegulingan is an old variety of the Balinese gamelan. Dating back from around the 17th century, the style is sweeter and more reserved than the more popular and progressive Gamelan Gong Kebyar. Semar pegulingan is derived from the ancient flute ensemble gamelan gambuh which utilizes a 7 tone scale.
Semar is a character in Javanese mythology who frequently appears in wayang shadow plays. He is one of the punokawan (clowns) but is divine and very wise. He is the dhanyang (guardian spirit) of Java, [ 1 ] and is regarded by some as the most sacred figure of the wayang set. [ 2 ]
Naga in Javanese language means "a big snake; a dragon". [4] It refers to a mythical green snake in the Old Java that brings fertility to the earth. The word is derived from a Sanskrit word naga. [5]
Semar Gugat (Indonesian for Semar Accuses) is a stage play written by Nano Riantiarno for his troupe Teater Koma. It follows the traditional wayang character Semar as he attempts— and fails— to take revenge against Arjuna and Srikandi for humiliating him by cutting off a lock of his hair while they are under the influence of the demon queen Durga.
Semar is the personification of a deity, sometimes said to be the dhanyang (Javanese: ꦝꦚꦁ) [5] or guardian spirit of the island of Java. In Javanese mythology, deities can only manifest themselves as ugly or otherwise unprepossessing humans, and so Semar is always portrayed as short and fat with a pug nose and a dangling hernia.
Man playing kenong in a gamelan orchestra (1966) The Kenong is a musical instrument of Indonesia used in the gamelan. [1] [2] It is a kind of gong and is placed on its side.It has the same length and width.