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Date/Time Thumbnail Dimensions User Comment; current: 07:09, 22 June 2020: 1,200 × 839 (346 KB): Benj73: Uploaded a work by Henry Courtney Selous from British Galleries with UploadWizard
Prince Albert, Queen Victoria's consort, was an enthusiastic promoter of the self-financing exhibition; the government was persuaded to form the Royal Commission for the Exhibition of 1851 to establish the viability of hosting such an exhibition. Queen Victoria visited three times with her family, and 34 times on her own. [5]
Sealous exhibited the painting in a building off Trafalgar Square in May 1852 and it became one of the best-known images of the Great Exhibition due to the prints made from it. Today it is in the collection of the Victoria and Albert Museum in South Kensington, which was built from the proceeds of the Great Exhibition, and was acquired in 1889. [4]
Victoria and Albert Museum, London The Royal Commissioners for the Exhibition of 1851 is an 1850 oil painting by the English artist Henry Wyndham Phillips . [ 1 ] A conversation piece , it depicts portraits of the various member of the Royal Commission established to oversee the Great Exhibition held in Hyde Park the following year.
In 1851, as part of the "Great Exhibition" of that year, The Art Journal featured Hall's engravings of 150 pictures from the private collections of Queen Victoria and Prince Albert. Although this project was popular, the publication remained unprofitable, forcing Hall to sell his share of the journal to Virtue, while staying on as editor.
At the conclusion of the Great Exhibition the cottage was dismantled and rebuilt in Kennington. [2] By one estimate over 250,000 people visited the cottage, including Queen Victoria and Charles Dickens. The final room visited contained pamphlets and books on model dwellings, as well as the architectural plans for the building through which the ...
More than 140 bound sets of reports and accompanying photographs, known as the Exhibition of the Works of Industry of All Nations, 1851: Reports by the Juries on the Subjects in the Thirty Classes into which the Exhibition was Divided were presented to, among others, Queen Victoria, Heads of Foreign Governments, the Exhibition commissioners ...
[citation needed] In 1851, Queen Victoria bought a bronze of it at the Great Exhibition of London. [citation needed] In 1851 he created “Bust of an African Woman" renamed "African Venus" by Théophile Gautier. [2] From 1851 to 1866, Cordier served as the official sculptor of Paris' National Museum of Natural History. During this time, he ...