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Generic mode dial for digital cameras showing some of the most common modes. (Actual mode dials can vary; for example point-and-shoot cameras seldom have manual modes.) Manual modes: Manual (M), Program (P), Shutter priority (S), Aperture priority (A). Automatic modes: Auto, Action, Portrait, Night Portrait, Landscape, Macro. A dial with more modes
Arriflex 435ES. Arri debuted two models of the 435 in 1995: the 435 and 435ES. The latter is suffixed ES to denote electronic shutter capabilities; this means that the shutter angle is able to be continuously electronically adjusted, even while the camera is running, and set to any angle within a specific range (11.2° to 180°) to a great deal of precision (0.1°).
Most dSLRs and mirrorless cameras have a few manual settings and a small sample of automatic modes. On point-and-shoot cameras, all manual control may be condensed into one mode (e.g. ASP, for Aperture priority, Shutter priority, Program) or may be completely absent. Many compact cameras show a large array of scene modes.
The M42 lens mount is a screw thread mounting standard for attaching lenses to 35 mm cameras, primarily single-lens reflex models. It is more accurately known as the M42 × 1 mm standard, which means that it is a metric screw thread of 42 mm diameter and 1 mm thread pitch.
The Fuji GX680 has quite large physical dimensions for a medium-format camera, but compared to the typical monorail/studio large-format camera, the Fuji GX680 is more compact. Although the Fuji GX680 was designed for studio work due to its size and weight, a neck-strap was offered for mobile work.
The Minolta SR-mount was the bayonet mounting system used in all 35 mm SLR cameras made by Minolta with interchangeable manual focusing lenses. Several iterations of the mounting were produced over the decades, and as a result, the mount itself was sometimes referred to by the name of the corresponding lens generation (f.e. "MC", "MD" or "X-600") instead.
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The camera operators are freed from the control of iris, black level and colour balance, leaving them free to concentrate on other aspects of camerawork such as blocking and image composition. [4] All signals that operate between the camera and CCU are carried in one multicore cable, triax or fiber optic cable.