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The character of Sukeroku in Sukeroku Yukari no Edo Zakura wears mukimi kuma kumadori, and is the epitome of a handsome kabuki hero attempting to win the love of a high-ranking courtesan. Zare-Guma ( ざれ隈 , "playful" kumadori ) - the style of kumadori used for comic villains; though the kumadori is red, the lines used make the character ...
Aragoto (荒事), or 'rough style', [1] is a style of kabuki acting that uses exaggerated, dynamic kata (forms or movements) and speech. Aragoto roles are characterised by the bold red or blue makeup ( kumadori ) worn by actors, as well as their enlarged and padded costumes. [ 2 ]
Kabuki (歌舞伎, かぶき) is a classical form of Japanese theatre, mixing dramatic performance with traditional dance. Kabuki theatre is known for its heavily stylised performances, its glamorous, highly decorated costumes, and for the elaborate kumadori make-up worn by some of its performers.
Oshiguma are customarily made after the performance of a kabuki play, though not necessarily after every performance, and given as highly valued souvenirs of the event. A single oshiguma may have face-impressions from one or several actors, usually all from the same show, illustrating the make-up designs for major characters in the play.
Wagoto (和事), or soft style, is a style of kabuki acting that emphasizes realistic speech and gestures. Wagoto actors typically do not employ the exaggerated makeup and costuming common to the more exaggerated aragoto (rough) style.
Traditionally in kabuki he would run down the hanamichi, a platform that extends through the audience to the rear of the theater, exiting in a special dance called a kitsune-roppō (狐六法, "fox six-direction steps"), however it has become increasingly popular in recent decades for the special effect of chūnori (宙乗り) to be used: the ...
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A kabuki character type (つっころばし) in wagoto style depicting a spineless man who falls down when pushed, requiring a soft acting style similar to onnagata roles. Tsuzuki-Kyōgen Multi-act plays (続き狂言) that tell one continuous story, developed during the Kanbun period (1661-1672) as opposed to single-act hanare-kyōgen.