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William Kentridge (born 28 April 1955) is a South African artist best known for his prints, drawings, and animated films, especially noted for a sequence of hand-drawn animated films he produced during the 1990s. The latter are constructed by filming a drawing, making erasures and changes, and filming it again.
Enough cannot be said about the singing, the dancing, the costume and production design and more in William Kentridge's chamber opera, in which noted intellectuals and artists flee 1941 France.
William Kentridge: Anything Is Possible, a documentary on William Kentridge: ESPN: 30 for 30: American Documentary, POV, and ITVS: The Most Dangerous Man in America: Daniel Ellsberg and the Pentagon Papers: Phoenix Satellite Television "Report on a New Generation of Migrant Workers in China" WTHR/Indianapolis, IN
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The artist discusses 'William Kentridge: In Praise of Shadows,' on view at the Broad museum in downtown Los Angeles through April 9, 2023.
Throughout the play, and specifically when Ubu feels insecure about being found out, an animated eye, intercut with a real one in classic Kentridge fashion, emerges on the screen to convey the sense that the main character is not quite so alone as he would like to think. The screen was used repeatedly and effectively in Kentridge's production.
Indie streamer Mubi has acquired worldwide streaming rights to South African artist William Kentridge’s prestige series “Self-Portrait As a Coffee Pot” which explores how art is made in the ...
The film centers on the real life stories of South African contemporary artists William Kentridge and Marlene Dumas who are also well known as popular artists in international contemporary art. [2] The film shows them in discussion regarding drawing, painting and filmmaking. [3] The film was screened at the 2009 Encounters Documentary Film ...