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Long Wharf Theatre was founded by Jon Jory, Harlan Kleiman, Ruth Lord, Betty Kubler, and Newt Schenck in 1965 [1] when Arthur Miller's The Crucible opened for a two-week engagement. Named after the Long Wharf in New Haven Harbor, the theatre was built in a vacant warehouse in a food terminal. The main stage seats were borrowed from a defunct ...
In 2017, the play was performed during the Williamstown Theatre Festival from June 27-July 16. [6] In 2018, the play was performed by the Steppenwolf Theatre Company, directed by Phylicia Rashad. [7] In 2019, Long Wharf Theatre produced the play, with Tasha Lawrence reprising her role from the original production and also directed by Donahue. [8]
Padrón has also worked as a Senior Line Producer at The Public Theater. [5] [7] He was also the producer for "365 Days/365 Plays" by Suzan-Lori Parks, put on by Center Theatre Group in Los Angeles. [5] Padrón was named "one to watch" by American Theatre magazine and has received the SPARK Leadership Fellowship from the Theatre Communications ...
“The Chinese Lady,” which opens Long Wharf’s 2021-22 season with a run through Oct. 31, is about a genuine historical figure who came to America in the 19th century and showed us how we tend ...
This production ran at the Long Wharf Theater, New Haven, Connecticut, in 1980. [ 7 ] The play was revived on Broadway at the Booth Theatre , running from October 20, 1983 (previews) to February 4, 1984.
The play is a performance favorite for busy name actors, for it requires little preparation, and lines need not be memorized. It was first performed by the playwright himself with Holland Taylor at the New York Public Library, [2] then opened in 1988 at the Long Wharf Theatre in New Haven, Connecticut, with Joanna Gleason and John Rubinstein. [3]
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