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Long Wharf Theatre was founded by Jon Jory, Harlan Kleiman, Ruth Lord, Betty Kubler, and Newt Schenck in 1965 [1] when Arthur Miller's The Crucible opened for a two-week engagement. Named after the Long Wharf in New Haven Harbor, the theatre was built in a vacant warehouse in a food terminal. The main stage seats were borrowed from a defunct ...
Padrón has also worked as a Senior Line Producer at The Public Theater. [5] [7] He was also the producer for "365 Days/365 Plays" by Suzan-Lori Parks, put on by Center Theatre Group in Los Angeles. [5] Padrón was named "one to watch" by American Theatre magazine and has received the SPARK Leadership Fellowship from the Theatre Communications ...
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“The Chinese Lady,” which opens Long Wharf’s 2021-22 season with a run through Oct. 31, is about a genuine historical figure who came to America in the 19th century and showed us how we tend ...
Louis Crews Stadium: Normal: 30,000 October 2, 1948 Ladd–Peebles Stadium: Mobile: 40,646 July 9, 1964 Mobile Civic Center: 10,112 (Arena) 3,000 (Expo Hall) 1,938 (Theater) October 1999 Mitchell Center: 10,041 (Arena-full house) 7,354 (Arena-Front of stage) 2,800 (Theater) January 1927 Saenger Theatre: 1,921 1956 Hocklander Hall: 4,800 October ...
Arena was the first theatre in D.C. to be racially integrated. [ 16 ] [ 17 ] [ 18 ] Its production The Great White Hope , which opened at Arena Stage in 1967, was transferred to Broadway with its original cast, including James Earl Jones and Jane Alexander in the lead roles.