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[60] [61] [62] Hippies were also vilified and sometimes attacked by punks, [63] revivalist mods, greasers, football casuals, Teddy Boys and members of other American and European youth cultures in the 1970s and 1980s. Hippie ideals were a marked influence on anarcho-punk and some post-punk youth cultures, such as the Second Summer of Love.
The Summer of Love was a major social phenomenon that occurred in San Francisco during the summer of 1967.As many as 100,000 people, mostly young people, hippies, beatniks, and 1960s counterculture figures, converged in San Francisco's Haight-Ashbury district and Golden Gate Park.
Tie-dyed clothes, associated with hippie culture. The bohemian predecessor of the hippie culture in San Francisco was the "Beat Generation" style of coffee houses and bars, whose clientele appreciated literature, a game of chess, music (in the forms of jazz and folk style), modern dance, and traditional crafts and arts like pottery and painting."
In Hippies and American Values Timothy Miller described the hippie culture as essentially a "religious movement" whose goal was to transcend the limitations of mainstream religious institutions: Like many dissenting religions, the hippies were enormously hostile to the religious institutions of the dominant culture, and they tried to find new ...
This is a list of books and publications related to the hippie subculture. It includes books written at the time about the counterculture of the 1960s and early 1970s, books that influenced the culture, and books published after its heyday that document or analyze the culture and period. The list includes both nonfiction and fictional works ...
In 1970, Hunter S. Thompson campaigned to become Sherriff of Aspen, Colorado as part of the "Freak Power" movement, and used this symbol to represent Freaks The freak scene was originally a component of the bohemian subculture which began in California in the mid-1960s, associated with (or part of) the hippie movement.
The Human Be-In took its name from a chance remark by the artist Michael Bowen made at the Love Pageant Rally. [6] The playful name combined humanist values with the scores of sit-ins that had been reforming college and university practices and eroding the vestiges of entrenched segregation, starting with the lunch counter sit-ins of 1960 in Greensboro, North Carolina, and Nashville, Tennessee.
Alto, Isla Vista, 1967–1969 [9]; Berkeley Barb, Berkeley, 1965–1980; Berkeley Tribe, Berkeley, 1969–1972 (split from the Berkeley Barb after staff went on strike); The Black Panther, Oakland