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The Thomas Becket window features a decorative border in a repeat geometric pattern called a "mosaic diaper", which became a common feature of English windows in this period. Another novel feature of this window is a background of blue enamel painted on the glass, then scratched out to form a diaper pattern.
Chartres' windows are celebrated for their cobalt blue, known as "Chartres blue" or "Romanesque blue", which first emerged in the workshops at Saint-Denis Basilica in the 1140s and was also used at Le Mans Cathedral. With a sodium base coloured with cobalt, it is the more resistant than reds and greens of the same era.
Similar red-blue quadrilateral designs set off the images of heraldic shields, images of the castles of Castille, and especially the royal emblems, the Fleurs-des-Lis. [ 12 ] The upper chapel has fifteen windows, composed of 1,113 panels of glass.
Some colours are notoriously difficult. Blue glass, frequently used for backgrounds, can create a halo effect that dominates the window. Red and blue together can create a jumping discordant pattern that is quite nasty to look at. Faces can bleach out completely. Green can simply turn black. Composite view of two panels demonstrating colour and ...
Panel – a part of a window that is constructed as a single piece. Most church windows with the exception of small lancets contain several panels. Diaper – a diamond or lozenge-shaped piece of glass. Many old windows, both ecclesiastical and domestic, are made from glass in a diaper pattern. Many figurative windows have a background of diapers.
Tracery is an architectural device by which windows (or screens, panels, and vaults) are divided into sections of various proportions by stone bars or ribs of moulding. [1] Most commonly, it refers to the stonework elements that support the glass in a window.
Medieval stained glass is the colored and painted glass of medieval Europe from the 10th century to the 16th century. For much of this period stained glass windows were the major pictorial art form, particularly in northern France, Germany and England, where windows tended to be larger than in southern Europe (in Italy, for example, frescos were more common).
In 1949, the panels were acquired by Richard King and placed into storage until they were acquired in the late 1970s by the Hugh Lane Gallery for IR£20,000. [45] 1930 Mr. Gilhooley Based on a work of the same name by Liam O'Flaherty. It is the original panel from the Geneva Window, but a second panel was made due to a crack in the figure's ...