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While some ghost characters are scary, others are funny or deliver a morality tales. Ghosts often appear in the narrative as sentinels or prophets of things to come. Literature and theatre: Ghosts in Thomas Kyd's The Spanish Tragedy; Ghost characters in Shakespeare's Hamlet; Ghosts in Richard III; The shade of Hamlet's murdered father in Hamlet
In comedy, a throwaway line (also: throwaway joke or throwaway gag) is a joke delivered "in passing" without being the punch line to a comedy routine, part of the build up to another joke, or (in the context of drama) there to advance a story or develop a character.
Repetition is the essential comedic device and is often used in combination with other devices to reinforce them. The "callback" in comedy writing—in which a statement or theme is recalled as the punchline or close of a scene—is a classic example of the tension and release that are possible using repetition.
emoji, from Japanese e (絵, 'picture') and moji (文字, 'character') [45] emoticon, from emotion and icon [46] listicle, from list and article [5] machinima, from machine and cinema [47] Pokémon, from pocket and monster [5] textonym, from text and synonym [2] vortal, from vertical and portal [2] Microsoft, from microcomputer and software [48]
Comedy is a genre of dramatic performance having a light or humorous tone that depicts amusing incidents and in which the characters ultimately triumph over adversity. [1] For ancient Greeks and Romans, a comedy was a stage-play with a happy ending. In the Middle Ages, the
The term has been around in Black American communities since the 1990s, appearing as early as 1992 on "It Was a Good Day" by Ice Cube, who raps: "No flexin', didn't even look in a n----'s direction."
The term deadpan first emerged early in the 20th century, as a compound word (sometimes spelled as two words) combining "dead" and "pan" (a slang term for the face). It appeared in print as early as 1915, in an article about a former baseball player named Gene Woodburn written by his former manager Roger Bresnahan.
"Underground comix" is a term first popularized by cartoonists in the underground comix movement of the 1960s and 1970s in an attempt to move the word away from its etymological origins. Art Spiegelman in particular has been a proponent of its usage, hoping to highlight the fact that the medium is capable of mature, non-comedic content, as well ...