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Natacha Rambova (born Winifred Kimball Shaughnessy; January 19, 1897 – June 5, 1966) was an American film costume designer, set designer, and occasional actress who was active in Hollywood in the 1920s.
What Price Beauty? is a 1928 American silent drama film directed by Tom Buckingham and starring Nita Naldi, Natacha Rambova and Pierre Gendron. Shot in May 1925 but not released until January 1928, [1] the film features the future star Myrna Loy in a small role. Her performance attracted widespread interest, boosting her career. [2]
Madam Valentino: The Many Lives of Natacha Rambova is a 1991 biographical book by Michael Morris about the life of American costume designer Natacha Rambova, detailing her early years, work in film, and her relationship with Rudolph Valentino.
In a flashback to 1925, the human Elizabeth is seduced by the actor Rudolph Valentino and his wife Natacha Rambova. Valentino dies and Elizabeth marries, only to run into the "dead" Valentino resurrected as a vampire. Valentino and Natacha subsequently turn Elizabeth into a vampire as well.
During production, When Love Grows Cold had the working title Do Clothes Make the Woman? However, after Rudolph Valentino's 1925 divorce from Natacha Rambova, when the film was released in January 1926 the distributor took the opportunity to prominently credit her as "Mrs. Valentino" on film posters and advertisements and changed the title of the film to When Love Grows Cold.
Cobra is a 1925 American silent drama film directed by Joseph Henabery and starring Rudolph Valentino and Nita Naldi.It is the screen adaptation of the play Cobra written by Martin Brown, which played at the Hudson Theatre on Broadway in 1924.
Natacha Rambova, Mitchell Leisen, Clare West [7] 2004: Bernard Newman, Robert Kalloch, Richard Hornung, Howard Greer [8] 2005: Ruth Morley, Vera West, Irene, René Hubert [9] 2006: William Travilla, Renié, Bill Thomas [10] 2007: none awarded 2008: Marit Allen [11] 2009: none awarded 2010: Robert Turturice [12] 2011: Michael Dennison [13] 2012 ...
The costumes, designed by Natacha Rambova, used material only from Maison Lewis of Paris, such as the real silver lamé loincloths worn by the guards. No major studio would be associated with the film, and it was years after its completion before it was released, by a minor independent distributor.