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The Canon EF 28–90mm f / 4–5.6 is a full frame SLR zoom lens, also often included as a kit lens with Canon EOS film cameras. The maximum aperture is f / 4 at 28mm, reducing to f / 5.6 at 90mm. When set to 90mm, this will create a moderate amount of background blur for portrait photography.
Pricier than non-stabilized lenses. The Canon RF 100-400mm f/5.6-8 IS USM is designed for EOS R-series full-frame bodies, on which it’s an excellent fit, making for a slimline and easily ...
Conversely, the same lens can produce different fields of view when mounted on different cameras. For example, a 35 mm lens mounted on a full-frame Canon EOS 5D provides a slightly wide-angle view, while the same lens mounted on an APS-C Canon EOS 400D provides a "normal" or slightly telephoto view.
See Canon EF-S lenses for the product line-up. EF-S lenses are built for APS-C 1.6x crop sensors, so they only work with models that use this sensor size. When EF-S lenses are used on a 35mm (full frame) camera the back element will hit the mirror assembly or cause substantial vignetting since the sensor is bigger than the image produced by the ...
Canon EF 70–200mm f/2.8L IS II USM with lens hood. The EF 70–200mm lenses are a group of telephoto zoom full-frame lenses made by Canon. The lenses have an EF mount to work with the EOS line of cameras. The lens comes in seven different versions, all of which have fixed maximum aperture at all focal lengths, and are L-series lenses. f/4L ...
Front and rear views of a Canon EF50mm f/1.4 USM. The EF 50mm lenses are a group of normal prime lenses made by Canon that share the same focal length.These lenses are based on the classic double-Gauss lens, [1] with the f/1.8 being a standard six-element double-Gauss with an air gap and powers between element 2 and 3 [1] and its faster cousins adding additional elements. [2]