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Qin Shi Huang, the first Chinese emperor, ordered a mass destruction of books for fear of the Confucian ideas that they contained. Bibliophobia is the fear or hatred of books. [1] Such fear often arises from fear of the effect books can have on society or culture. [2]: 2 Bibliophobia is a common cause of censorship and book burning.
A thesaurus (pl.: thesauri or thesauruses), sometimes called a synonym dictionary or dictionary of synonyms, is a reference work which arranges words by their meanings (or in simpler terms, a book where one can find different words with similar meanings to other words), [1] [2] sometimes as a hierarchy of broader and narrower terms, sometimes simply as lists of synonyms and antonyms.
Antonyms are words with opposite or nearly opposite meanings. For example: hot ↔ cold, large ↔ small, thick ↔ thin, synonym ↔ antonym; Hypernyms and hyponyms are words that refer to, respectively, a general category and a specific instance of that category. For example, vehicle is a hypernym of car, and car is a hyponym of vehicle.
Life in Kowloon Walled City has often inspired the dystopian identity in modern media works. [1]A dystopia (from Ancient Greek δυσ (dus) 'bad' and τόπος (tópos) 'place'), also called a cacotopia [2] or anti-utopia, is a community or society that is extremely bad or frightening.
The book, with all of its convention-defying plot lines, was a way for Lee to explore the boxes she felt she was slotted into as a wife and mother — and what it might mean to break out of them.
An antonym is one of a pair of words with opposite meanings. Each word in the pair is the antithesis of the other. A word may have more than one antonym. There are three categories of antonyms identified by the nature of the relationship between the opposed meanings.
Jean-Paul Sartre coined the term "antinovel". The term ("anti-roman" in French) was brought into modern literary discourse by the French philosopher and critic Jean-Paul Sartre in his introduction to Nathalie Sarraute's 1948 work Portrait d’un inconnu (Portrait of a Man Unknown). [2]
The argument over the underlying nature of ideas is opened by Plato, whose exposition of his theory of forms—which recurs and accumulates over the course of his many dialogs—appropriates and adds a new sense to the Greek word for things that are "seen" (re. εἶδος) that highlights those elements of perception which are encountered without material or objective reference available to ...