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Preliminary 8mm Film Project: Report and Listing of 8mm Films. University of Nebraska, College of Medicine, Communications Division. Big as Life: An American History of 8mm Films : Type X. Museum of Modern Art. 1998.
35mm filmstrip projectors; Overhead presentation projectors (all models) Stereo cameras and stereo slide projectors through its TDC subsidiary; Slide Cube Projector, circa 1970; In 1934, Bell & Howell introduced their first amateur 8mm movie projector, in 1935 the Filmo Straight Eight camera, and in 1936 the Double-Run Filmo 8.
Ornate Filmo 75 camera (1928). Filmo 70-DR with Crystal Sync Motor. The 16 mm Filmo cameras all take 16 mm film on a 100 ft (30 m) daylight spool, although some versions can also take 400 ft (120 m) external magazines.
The Revere Camera Company was founded in the early 1920s in Chicago, Illinois, as the Excel Auto Radiator Company by Ukrainian immigrant Samuel Briskin. [1] Built for Excel – and designed by Alfred S. Alschuler, [2] the manufacturing facility was located at 320 E. 21st St., Chicago, Illinois.
In contrast, a modern LCD or DLP projector often uses an Ultra-high-performance lamp which has a higher luminous efficacy and lasts for thousands of hours. [5] A drawback of that technology is the warm up time required for such lamps. Older overhead projectors used a tubular quartz bulb which was mounted above a bowl-shaped polished reflector.
After Kodak (USA) introduced Super-8 film, in 1965 EUMIG launched the movie camera "Viennette Super-8" and the projectors "Mark M Super-8" with threader and arrest projection and "Eumig Mark S Super-8" for Super-8 sound film. At the time, EUMIG was the only European manufacturer with a complete range of equipment for Super-8 film.