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A rhyme scheme is the pattern of rhymes at the end of each line of a poem or song. It is usually referred to by using letters to indicate which lines rhyme; lines designated with the same letter all rhyme with each other. An example of the ABAB rhyming scheme, from "To Anthea, who may Command him Anything", by Robert Herrick:
Sonnet 125 is an English or Shakespearean sonnet.The English sonnet has three quatrains, followed by a final rhyming couplet.It follows the typical rhyme scheme of the form abab cdcd efef gg, although (as discussed below) in this case the f rhymes repeat the sound of the a rhymes.
Sonnet 132 is an English or Shakespearean sonnet.The English sonnet has three quatrains, followed by a final rhyming couplet.It follows the typical rhyme scheme of the form abab cdcd efef gg and is composed in iambic pentameter, a type of poetic metre based on five pairs of metrically weak/strong syllabic positions.
Our love shall live, and later life renew." — Edmund Spenser , Amoretti , Sonnet 75 Three prominent features of this sonnet type were known already: Italian and French sonnets used five rhymes; sonnets of Thomas Wyatt and the Earl of Surrey used final couplets; and the interleaved ABAB rhymes were in the English style.
Tennyson employs a traditional ABAB rhyme scheme. Scholars have noted that the form of the poem follows the content: the wavelike quality of the long-then-short lines parallels the narrative thread of the poem. The extended metaphor of "crossing the bar" represents travelling serenely and securely from life into death.
A rondel is a verse form originating in French lyrical poetry of the 14th century (closely related to the rondeau, as well as the rondelet). [1] Specifically, the rondel refers to "a form with two rhymes, three stanzas, and a two-line refrain that repeats either two and a half or three times: ABba abAB abbaA(B)."
A rhyme is a repetition of similar sounds (usually the exact same phonemes) in the final stressed syllables and any following syllables of two or more words. Most often, this kind of rhyming (perfect rhyming) is consciously used for a musical or aesthetic effect in the final position of lines within poems or songs. [1]
The rhyme royal stanza consists of seven lines, usually in iambic pentameter. The rhyme scheme is ABABBCC. In practice, the stanza can be constructed either as a tercet and two couplets (ABA BB CC) or a quatrain and a tercet (ABAB BCC). This allows for variety, especially when the form is used for longer narrative poems.