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The track borrows the main riff from The Kinks' 1964 song, "All Day and All of the Night", which was one of the band's first hits. [2] The lyrics feature the return of the transvestite title character from The Kinks' 1970 hit song, "Lola"; in "Destroyer", the singer brings Lola to his place where he becomes increasingly paranoid. [3]
The Kinks expanded on their English sound throughout the remainder of the 1960s, incorporating elements of music hall, folk, and baroque music through use of harpsichord, acoustic guitar, Mellotron, and horns, in albums such as Face to Face, Something Else by the Kinks, The Kinks Are the Village Green Preservation Society, and Arthur (Or the ...
The Kinks, an English rock band, were active for over three decades, from 1963 to 1996, releasing 26 studio albums and four live albums. [1] The first two albums are differently released in the UK and the US, partly due to the difference in popularity of the extended play format (the UK market liked it, the US market did not, so US albums had the EP releases bundled onto them), and partly due ...
Scattered (The Kinks song) See My Friends; Set Me Free (The Kinks song) Shangri-La (The Kinks song) She Bought a Hat Like Princess Marina; She's Bought a Hat Like Princess Marina; She's Got Everything (song) Sitting by the Riverside; Sitting in My Hotel; Sitting in the Midday Sun; Sleepwalker (The Kinks song) So Mystifying; Somebody Else (Big ...
"Come Dancing" is a tribute to Davies' older sister Rene. Living in Canada with her reportedly abusive husband, the 31-year-old Rene was visiting her childhood home in Fortis Green in London at the time of Ray Davies' 13th birthday—21 June 1957—on which she surprised him with a gift of the Spanish guitar he had tried to persuade his parents to buy him. [3]
Although the album, like all Kinks albums since 1967's Something Else by The Kinks, failed to chart in the UK, the album proved to be a success in the US, reaching #21 on the Billboard 200. [8] That following March, the title track of the album, backed with "Full Moon", reached #48 in the US, becoming the first Kinks single to reach the ...
Unlike the more nostalgic themes of many Kinks albums prior to Low Budget, many of the album's songs allude to contemporaneous events. Musically, the album is a continuation of the band's " arena rock " phase, resulting in a more rock-based sound and more modern production techniques.
Sociological considerations aside, this is a solidly good song musically, and one of the Kinks best mid-career hard-rock efforts." [ 4 ] Rolling Stone said, "[Ray Davies's] muse takes a short vacation for 'Attitude,' which is humorlessly accusatory almost to the point of being reactionary."