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The Romantic movement in English literature of the early 19th century has its roots in 18th-century poetry, the Gothic novel and the novel of sensibility. [6] [7] This includes the pre-Romantic graveyard poets from the 1740s, whose works are characterized by gloomy meditations on mortality, "skulls and coffins, epitaphs and worms". [8]
The Old English Baron is an early Gothic novel by the English author Clara Reeve. It was first published under this title in 1778, although it had anonymously appeared in 1777 under its original name of The Champion of Virtue, before Samuel Richardson's daughter, Mrs Bridgen, had edited it for her. Apart from typographical errors, the revision ...
Clara Reeve (23 January 1729 – 3 December 1807) was an English novelist best known for the Gothic novel The Old English Baron (1777). [1] She also wrote an innovative history of prose fiction, The Progress of Romance (1785). Her first work was a translation from Latin, at the time a language unusual for a woman to learn.
William Wordsworth (pictured) and Samuel Taylor Coleridge helped to launch the Romantic Age in English literature in 1798 with their joint publication Lyrical Ballads. In English literature, the key figures of the Romantic movement are considered to be the group of poets including William Wordsworth, Samuel Taylor Coleridge, John Keats, Lord Byron, Percy Bysshe Shelley and the much older ...
King Horn is a Middle English chivalric romance dating back to the middle of the thirteenth century. It survives in three manuscripts: London, British Library, MS. Harley 2253; Oxford, Bodleian Library, MS. Laud. Misc 108; and Cambridge, Cambridge University Library, MS. Gg. iv. 27.
Emaré is a Middle English Breton lai, a form of mediaeval romance poem, told in 1035 lines. The author of Emaré is unknown and it exists in only one manuscript, Cotton Caligula A. ii, which contains ten metrical narratives. [1] Emaré seems to date from the late fourteenth century, possibly written in the North East Midlands. [2]
Because Old English was one of the first vernacular languages to be written down, 19th-century scholars searching for the roots of European "national culture" (see Romantic Nationalism) took special interest in studying what was then commonly referred to as 'Anglo-Saxon literature', [87] and Old English became a regular part of university ...
Matter of England, romances of English heroes and romances derived from English legend are terms that 20th century scholars have given to a loose corpus of Medieval literature [1] [2] that in general deals with the locations, characters and themes concerning England, English history, or English cultural mores.