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Semoga Bahagia is a Malay song composed by the Singaporean composer Zubir Said, who also composed Majulah Singapura, the national anthem of Singapore.The song has been the official Children's Day song in Singapore since 1961, and is also performed at the Singapore Youth Festival (SYF) as its official theme song.
A penei e kau ai She'd place them on her nose Hui: Chorus: E aloha kākou iā ia Now we must all show her reverence E mālama kākou iā tūtū We must all love our dear Tūtū E hoʻano kākou iā ia We must do all to honor her Ko kākou kupuna wahine Our dear Grandma Tūtū A kau mai e ke ahiahi As the hour of eve drew near Hoʻomākaukau e pule
In jazz music, on the other hand, such chords are extremely common, and in this setting the mystic chord can be viewed simply as a C 13 ♯ 11 chord with the fifth omitted. In the score to the right is an example of a Duke Ellington composition that uses a different voicing of this chord at the end of the second bar, played on E (E 13 ♯ 11 ).
"Negaraku" (Jawi: نݢاراکو , pronounced; English: "My Country") is the national anthem of Malaysia. It was adopted as the national anthem at the time of the Federation of Malaya's independence from the United Kingdom in 1957.
Magic chord (as played in The Well-Tuned Piano). [ 3 ] The Magic Chord is a chord and installation (1984) created by La Monte Young , consisting of the pitches E, F, A, B ♭ , D, E, G, and A, in ascending order and used in works including his The Well-Tuned Piano and Chronos Kristalla (1990). [ 1 ]
This motif also appears in measures 6, 10, and 12, several times later in the work, [clarification needed] and at the end of the last act.. Martin Vogel [] points out the "chord" in earlier works by Guillaume de Machaut, Carlo Gesualdo, J. S. Bach, Mozart, Beethoven, or Louis Spohr [1] as in the following example from the first movement of Beethoven's Piano Sonata No. 18:
In music, the dominant 7 ♯ 9 chord [1] ("dominant seven sharp nine" or "dominant seven sharp ninth") is a chord built by combining a dominant seventh, which includes a major third above the root, with an augmented second, which is the same pitch, albeit given a different note name, as the minor third degree above the root.
Ua Mau ke Ea o ka ʻĀina i ka Pono (Hawaiian pronunciation: [ˈuə ˈmɐw ke ˈɛə o kə ˈʔaːi.nə i kə ˈpo.no]) is a Hawaiian phrase, spoken by Kamehameha III, and adopted in 1959 as the state motto. [1]