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Glass coloring and color marking may be obtained in several ways. by the addition of coloring ions, [1] [2] by precipitation of nanometer-sized colloids (so-called striking glasses [1] such as "gold ruby" [3] or red "selenium ruby"), [2] Ancient Roman enamelled glass, 1st century, Treasure of Begram; by colored inclusions (as in milk glass and ...
The use of thicker glass produces deeper colour effects than traditional lead came stained-glass, especially when illuminated by bright natural or artificial light. [ 1 ] [ 2 ] The technique achieved prominence in the stained glass literature of the 1950s and 1960s.
Medieval stained glass is the colored and painted glass of medieval Europe from the 10th century to the 16th century. For much of this period stained glass windows were the major pictorial art form, particularly in northern France, Germany and England, where windows tended to be larger than in southern Europe (in Italy, for example, frescos were more common).
After returning from France, Burd worked as a stained glass designer at the Tiffany Glass and Decorating Company in New York. [3] She also worked at the J&R Lamb Studios as well as at the Church Glass and Decorating Company. Notable designs include : St. Andrew's Episcopal Church, Highland Park, Pittsburgh. The East and West transept windows.
Stasys Ušinskas (20 July 1905 – 14 June 1974) was a Lithuanian artist of multiple creative fields: modern painting, stained glass, scenography, animation, puppetry and decorative glass artworks. He is widely regarded as the "father of Lithuanian stained glass art". [1]
The makers of stained glass were declared exempt from taxes at the end of the 15th century by King Charles V of France. [25] Stained glass artists also began to have a wider variety of clients; not only kings but also wealthy aristocrats and merchants. Windows were made not only for cathedrals but also for town halls and palatial residences.
The Cologne Cathedral Window is the stained glass window in the south transept of the Cologne Cathedral designed by Cologne artist Gerhard Richter. On a surface of 106 square metres, 11,263 glass squares in 72 colours of 9,6 cm × 9.6 cm were principally arranged randomly, with others selected in response to architectural context. [1]
The monk Theophilus Presbyter described glass-production in minute detail early in the 12th century in his treatise Schedula diversum artium - the glass-painter was to trace the composition of a window on a panel of bleached wood, before cutting the glass sections on it and finally painting and assembling them.