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The Crucifixion is a life sized painting by the Venetian artist Titian, completed in 1558 and presently hanging in the sanctuary of the church of San Domenico, Ancona. Jesus Christ is shown crucified, with Saint Mary and Saint John standing either side of the cross in the Stabat Mater tradition. The kneeling figure is of Saint Dominic. The ...
Baroque Trinity, Hendrick van Balen, 1620, (Sint-Jacobskerk, Antwerp) Holy Trinity, fresco by Luca Rossetti da Orta, 1738–39 (St. Gaudenzio Church at Ivrea). The Trinity is most commonly seen in Christian art with the Holy Spirit represented by a dove, as specified in the gospel accounts of the baptism of Christ; he is nearly always shown with wings outspread.
Christ and the Penitent Sinners; Christ and the Samaritan Woman (de Troy) Christ and the Samaritan Woman (Carracci) Christ and the Samaritan Woman (Kauffman) Christ and the Virgin Diptych; Christ and the Woman of Samaria (Gentileschi) Christ Appointing Saint Roch as Patron Saint of Plague Victims; Christ as the Suffering Redeemer (Mantegna)
Three further lambs stand higher up, near the horizon of the garden, and looking up at the jewelled cross; these represent the three apostles who witnessed the Transfiguration. [8] In more vertical depictions of the standard type the scene resolved itself into two zones of three figures: above Christ and the prophets, and below the disciples.
The painting in its current frame, hanging in the National Gallery. The Latin form of Pilate's words, "Behold the man", has given the title Ecce Homo to this picture. It is the moment when Jesus comes forth from the rude mockery of the soldiers, clad in a royal robe, and wearing the crown of thorns.
A seven-alarm fire that tore through a 150-year-old church in Massachusetts miraculously spared a painting of Jesus Christ.
Crucifixions and crucifixes have appeared in the arts and popular culture from before the era of the pagan Roman Empire.The crucifixion of Jesus has been depicted in a wide range of religious art since the 4th century CE, frequently including the appearance of mournful onlookers such as the Virgin Mary, Pontius Pilate, and angels, as well as antisemitic depictions portraying Jews as ...
The blindfolded Christ in Matthias Grünewald's Mocking of Christ, c. 1503, was an influence on the presentation of the central figure in Bacon's Three Studies. [15] The art critic Hugh Davies has suggested that of the three figures, that on the left most closely resembles a human form, and that it might represent a mourner at the cross. [16]