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Thirteen Most Wanted Men was a 1964 mural by Andy Warhol. The artwork was created for the New York State Pavilion at the 1964 World's Fair at Flushing Meadows Park, Queens, New York. The mural was Warhol's only public work. It was painted over with silver paint before the fair opened, reportedly due to official objections.
Athletes is a 1977 series of silkscreen portraits by American artist Andy Warhol.Commissioned by Richard Weisman, the series consists of ten multi-colored portraits of the most celebrated athletes of the time: Muhammad Ali, Kareem Abdul-Jabbar, Chris Evert, Rod Gilbert, O.J. Simpson, Pelé, Tom Seaver, Willie Shoemaker, Dorothy Hamill, and Jack Nicklaus.
Warhol in 1973. Campbell's Soup I (sometimes Campbell's Soup Cans I) is a work of art produced in 1968 by Andy Warhol as a derivative of his Campbell's Soup Cans series. 250 sets of these screenprints were made by the Salvatore Silkscreen Company in New York City. It consists of ten prints each measuring 91.8 by 61.3 centimetres (36.1 in × 24. ...
The Screen Tests are a series of short, silent, black-and-white film portraits by Andy Warhol, made between 1964 and 1966, generally showing their subjects from the neck up against plain backdrops. The Screen Tests , of which 472 survive, depict a wide range of figures, many of them part of the mid-1960s downtown New York cultural scene.
Andy Warhol "Invisible Sculpture" 1985: Consists of an invisible, intangible sculpture atop a white pedestal. [3] Tom Friedman "Untitled (A Curse)" 1992: Similar to Warhol's sculpture, but a witch was reportedly hired to curse the space immediately above the pedestal. [3] Teresa Margolles "Aire" (Air) 2003
At Andy Warhol's memorial service on April 1, 1987, many mourners learned a lesser-known aspect of his life: Warhol was raised as a Byzantine Catholic and
Orange Prince is a painting by American artist Andy Warhol of Prince, the American singer, songwriter, record producer, multi-instrumentalist, actor, and director.The painting is one of twelve silkscreen portraits on canvas of Prince created by Warhol in 1984, based on an original photograph provided to Warhol by Vanity Fair.
The decision in Andy Warhol Foundation v. Goldsmith capped off nearly four decades’ worth of derivative works that began in 1981, when Lynn Goldsmith photographed Prince.