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Anapaest–A three-syllable metrical pattern in poetry in which two unstressed syllables are followed by a stressed syllable. Dactyl–A three-syllable metrical pattern in poetry in which a stressed syllable is followed by two unstressed syllables. Spondee–A beat in a poetic line that consists of two accented syllables. It is a poetic form ...
Acrostic: a poem in which the first letter of each line spells out a word, name, or phrase when read vertically. Example: “A Boat beneath a Sunny Sky” by Lewis Carroll. Concrete (aka pattern): a written poem or verse whose lines are arranged as a shape/visual image, usually of the topic. Slam; Sound; Spoken-word; Verbless poetry: a poem ...
Symbolists believed that art should aim to capture more absolute truths which could be accessed only by indirect methods. They used extensive metaphor, endowing particular images or objects with symbolic meaning. They were hostile to "plain meanings, declamations, false sentimentality and matter-of-fact description". [39] [40]
It used alliterative verse, a metrical pattern involving varied numbers of syllables but a fixed number (usually four) of strong stresses in each line. The unstressed syllables were relatively unimportant, but the caesurae (breaks between the half-lines) played a major role in Old English poetry .
This is a list of art movements in alphabetical order. These terms, helpful for curricula or anthologies , evolved over time to group artists who are often loosely related. Some of these movements were defined by the members themselves, while other terms emerged decades or centuries after the periods in question.
In every type of literature there is a metrical pattern that can be described as "basic" or even "national" [dubious – discuss]. The most famous and widely used line of verse in English prosody is the iambic pentameter, [7] while one of the most common of traditional lines in surviving classical Latin and Greek prosody was the hexameter. [8]
Below listed are the names given to the poetic feet by classical metrics. The feet are classified first by the number of syllables in the foot ( disyllables have two, trisyllables three, and tetrasyllables four) and secondarily by the pattern of vowel lengths (in classical languages) or syllable stresses (in English poetry) which they comprise.
Lines composed of the same number of syllables with division in different place are considered to be completely different metrical patterns. For example, Polish alexandrine (13) is almost always divided 7+6. It has been very common in Polish poetry for last five centuries. But the metre 13(8+5) occurs only rarely and 13(6+7) can be hardly found.